East Belgium 8K - Timelapse Short Film
East Belgium 8K
A Timelapse movie
Time lapse 8K East Belgium – With more than 15,000 individual photos taken along the way, EAST BELGIUM 8K was created, a time-lapse film that invites you on a vivid journey of discovery through the nature of East Belgium, along the shores of our lakes and the panoramic landscapes of many villages.
FILM SYNOPSIS
The short film “East Belgium 8K” aims to raise awareness of the beauty and treasures of our wonderful home of East Belgium. We are lucky to be part of it. An awake view of the beauty of our surroundings gives us strength, energy and relaxation for everyday life.
Impressions of East Belgium:
(All Timelapse footage are shoot with Sony A7RIV and Sony A7RIII.)
During the last eight months, I travelled across East Belgium to create a special video about East Belgium. My aim was to explore our region, always keeping in mind to focus on the natural environment, the villages with their local attractions and the diversity of the geographical features in East Belgium. In the course of the project, I grew to want to highlight the positive characteristics of our home in East Belgium, especially in these difficult times caused by COVID19. We live in a wonderful region with countless beautiful villages that stretch from the north to the south of East Belgium.
With the help of this project, I would like to make the public aware of the beauty and treasures of this wonderful region that is East Belgium. We are lucky to live there and to be part of it. An attentive view of the beauty of our environment gives us strength, energy and relaxation for our daily life.
This video project was created within the framework of the Art Scholarship of the Deutschsprachigen Gemeinschaft, without whose support the project “East Belgium 8K” could not have been realised. (Time lapse 8K East Belgium)
BEHIND THE SCENE:
Publication & Articles:
Contact
[:de]Shortfilm: Moving | Hong Kong[:en]Shortfilm: Moving | Hong Kong[:fr]Shortfilm: Moving | Hong Kong[:zh]Shortfilm: "Moving"Hong Kong[:]
[:de]
"Moving" is short dance film which took place in Hong Kong: A very busy city with over 7 million citizen living together in the narrowest space and barely have the space for themselves.
Claire Lim, a local Hong Kongese try to slow a second down, free out the noises and the hustles from the stressfull lifes. Synchronize her peaceful mind with her body in such a stimulating city like Hong Kong to rediscover this beauty.
In this short film story "Moving" in Hong Kong Clare's finding her own space and power to rediscover & explore her inner self. In such facepaced cities it's very easy to stuck in your head and be quickly leave behind. You have to find a way to rethink again, imagine and free up time for yourself.
During this Video-production I reviewed also the ZEISS Batis lenses – a 25mm f/2, a 40mm f/2 CF, and a 85mm f/1.8.
Many thanks to all who contributed towards the making of this film. This story is inspired by actual real life, after interviewing Clare and asking them about their life experience. Most of the narrative is actually what they said – I just picked out the best bits!
Special Thanks to the Team from Sharedspace Clare Lim, Aaron Martin Pamela Gonzalez.
Also thanks to Zeiss HK and Shriro for the support.
You want to know more about this project or cooperate for future projects?
"Moving" is short dance film which took place in Hong Kong: A very busy city with over 7 million citizen living together in the narrowest space and barely have the space for themselves.
In this shortfilm about Moving in Hong Kong: Claire Lim, a local Hong Kongese try to slow a second down, free out the noises and the hustles from the stressfull lifes. Synchronize her peaceful mind with her body in such a stimulating city like Hong Kong to rediscover this beauty.
In this short film story "Moving" in Hong Kong Clare's finding her own space and power to rediscover & explore her inner self. In such facepaced cities it's very easy to stuck in your head and be quickly leave behind. You have to find a way to rethink again, imagine and free up time for yourself.
During this Video-production I reviewed also the ZEISS Batis lenses – a 25mm f/2, a 40mm f/2 CF, and a 85mm f/1.8.
Many thanks to all who contributed towards the making of this film. This story is inspired by actual real life, after interviewing Clare and asking them about their life experience. Most of the narrative is actually what they said – I just picked out the best bits!
Special Thanks to the Team from Sharedspace Clare Lim, Aaron Martin Pamela Gonzalez.
Also thanks to Zeiss HK and Shriro for the support.
You want to know more about this project or cooperate for future projects?
"Moving" is short dance film which took place in Hong Kong: A very busy city with over 7 million citizen living together in the narrowest space and barely have the space for themselves.
Claire Lim, a local Hong Kongese try to slow a second down, free out the noises and the hustles from the stressfull lifes. Synchronize her peaceful mind with her body in such a stimulating city like Hong Kong to rediscover this beauty.
In this short film story "Moving" in Hong Kong Clare's finding her own space and power to rediscover & explore her inner self. In such facepaced cities it's very easy to stuck in your head and be quickly leave behind. You have to find a way to rethink again, imagine and free up time for yourself.
During this Video-production I reviewed also the ZEISS Batis lenses – a 25mm f/2, a 40mm f/2 CF, and a 85mm f/1.8.
Many thanks to all who contributed towards the making of this film. This story is inspired by actual real life, after interviewing Clare and asking them about their life experience. Most of the narrative is actually what they said – I just picked out the best bits!
Special Thanks to the Team from Sharedspace Clare Lim, Aaron Martin Pamela Gonzalez.
Also thanks to Zeiss HK and Shriro for the support.
You want to know more about this project or cooperate for future projects?
"Moving" is short dance film which took place in Hong Kong: A very busy city with over 7 million citizen living together in the narrowest space and barely have the space for themselves.
Claire Lim, a local Hong Kongese try to slow a second down, free out the noises and the hustles from the stressfull lifes. Synchronize her peaceful mind with her body in such a stimulating city like Hong Kong to rediscover this beauty.
In this short film story "Moving" in Hong Kong Clare's finding her own space and power to rediscover & explore her inner self. In such facepaced cities it's very easy to stuck in your head and be quickly leave behind. You have to find a way to rethink again, imagine and free up time for yourself.
During this Video-production I reviewed also the ZEISS Batis lenses – a 25mm f/2, a 40mm f/2 CF, and a 85mm f/1.8.
Many thanks to all who contributed towards the making of this film. This story is inspired by actual real life, after interviewing Clare and asking them about their life experience. Most of the narrative is actually what they said – I just picked out the best bits!
Here you can find my whole photo series about Hong Kong
Special Thanks to the Team from Sharedspace Clare Lim, Aaron Martin Pamela Gonzalez.
Also thanks to Zeiss HK and Shriro for the support.
You want to know more about this project or cooperate for future projects?
[:de]Testbericht: Zeiss Batis Objektive 25, 40 & 85 in Hongkong[:en]Review: Zeiss Batis lenses 25, 40 & 85 in Hong Kong[:]
[:de]
In diesem Testbericht über die Zeiss Batis Objektivreihe versuche ich, über meine persönlichen Erfahrungen mit den Batis Linsen unter realen Arbeitsbedingungen als professioneller Fotograf und Videofilmer zu berichten. Im vergangenen März habe ich ein Kurzfilmprojekt "Moving" über Claire Lim, eine Hongkongerin, realisiert. Während dieser Zeit habe ich das Trio der ZEISS Batis Objektivreihe - das 25mm f/2, das 40mm f/2 CF und das 85mm f/1,8 - getestet. Getestet wurde die Vielseitigkeit im Bereich der Fotografie- und Videoproduktionsmöglichkeiten. Hier findet ihr einige Fotos geshootet mit den Batis-Objektiven über meine Dokumentation über Hongkong. Am Ende des Artikels stehen RAW-Dateien als download bereit. (Aufgenommen mit Sony A7RIII + Batis Zeiss-Objektiven)
EINLEITUNG | Was steckt hinter dem Projekt in Hongkong
Unterwegs als Reisefotograf und Videofilmer bemühe ich mich, so leicht und effizient wie möglich zu packen. Der Schlüsselpunkt des Gewichts ist hier die Fotoausrüstung. Bei der Planung stand immer im Fokus, welche Objektive ich für diesen Kurzfilmprojekt mitnehmen würde. Ich wusste, dass ich meine Sony a7R III - verwenden würde, aber ich hatte meine Auswahlmöglichkeiten bei der Wahl der Objektive sorgfältig abzuwiegen.
Nur wenige Monate vor Beginn dieses Projektes brachte Zeiss die neuen BATIS-Objektive auf den Markt. Ich wusste, dass ich in einer Vielzahl von unterschiedlichen Bereichen und Lichtverhältnissen fotografieren würde. Vor allem war es ein Videoprojekt, bei dem ein Festbrennweitenobjektiv die erste Wahl ist. Man könnte meinen, 40 mm sei eine merkwürdige Brennweite? Diese Linse überraschte mich auf die beste Art und Weise. Ich hatte nur drei Produktionstage Zeit, um das gesamte benötigte Material zu produzieren. In Hongkong kann das Wetter von hell und sonnig schnell in Regen und Nebel umkehren. Durch die wetterversiegelten Batis-Objektive musste ich mir nie Sorgen machen. Diese Stadt hat mit vielen engen Vierteln zu kämpfen, zusammen mit weit entfernten Motiven, die Objektive mit längerer Brennweite benötigen.
Ich konnte die Zeiss Batis-Objektive, die im Vergleich zu Zooms vergleichbarer Brennweitenbereiche typischerweise kleiner, leichter und schneller sind, problemlos in meinen Rucksack packen.
GEWICHT, BAUWEISE & LOOK | Zeiss Batis Objektive - das 25mm f/2, das 40mm f/2 CF und das 85mm f/1,8
Also zurück zum Testbericht über die Zeiss Batis-Objektive - ein 25 mm f/2, ein 40 mm f/2 CF und ein 85 mm f/1,8 sind speziell für E-Mount-Kameras von Sony entwickelt worden. Ich wusste, dass sie Schnelligkeit, schnelle Autofokus-Reaktionszeiten und genügend Auflösungsvermögen bieten, um die Anforderungen des 42 MP-Bildsensors meiner Kamera zu erfüllen.
Ein großartiges Objektivset für meine Kamera und perfekter halt auf einem Gimbal. Es ist nicht nur leicht, sondern die Batis-Serie ist auch wunderbar auf das Sony-Gehäuse abgestimmt. Ich verwende das Objektiv an einer Sony a7 Riii, und ich kann es ohne Probleme halten, den ganzen Tag fotografieren und werde wahrscheinlich nie müde. Das ist eine große Erleichterung, wenn man den ganzen Tag arbeitet. Mit einem Gewicht zwischen 335 g und 452 g kamen meine Kamera und alle drei Objektive weit unter den 1,8 kg schweren Deckel in meinem Rucksack. Während der Produktion muss man in Betracht ziehen, diese Ausrüstung mindestens 8-12 Stunden pro Tag zu halten, einschließlich aller Zubehörteile wie Kardan, Bildschirm, Batteriepacks.
Die optische Qualität ist für professionelle Anwendungsfälle mehr als ausreichend und hat ihren eigenen einzigartigen Look, den ich wirklich liebe. Hier sind einige Fotos, die ich in diesen Tagen gemacht habe, und ich hoffe, dass sie Ihnen einen guten Eindruck von diesem Objektivsatz vermitteln können.
OLED DISPLAY | Zeiss Batis Objektiv bei Nacht
Hongkong ist in vielerlei Hinsicht ein visuelles Paradies, aber es hat auch seine Herausforderungen. Die visuellen Stimmungen und Texturen von Hongkong sind faszinierend, vom Sonnenuntergang am Victoria Point bis zu den nächtlichen Skylines der Metropole Hongkong, die visuell gesehen magisch sind. Hier kommt das OLED-Display ins Spiel.
Es ist eine Funktion, die die Fokusentfernung und den Schärfentiefenbereich oben auf dem Objektivtubus anzeigt. Für jemanden, der auf einem Stativ arbeitet und nachts unbewegte Motive aufnimmt, kann ich sehen, wie diese Anzeige unglaublich hilfreich sein kann.
RAW SAMPLES DOWNLOAD | Zeiss Batis lenses
RAW Samples of ZEISS Batis lenses – a 25mm f/2, a 40mm f/2 CF, and a 85mm f/1.8 with Sony A7RIII:
[service title="Zeiss Batis 25mm F2" subtitle="RAW File download via Google Drive" btn_text="Download here Zeiss Batis 25mm" url="https://drive.google.com/file/d/1_9yUzajpEV8bU5RO0E8VC8K74qp1LVPI/view?usp=sharing"][/service]
[service title="Zeiss Batis 40mm CF F2" subtitle="RAW File download via Google Drive" btn_text="Download here Zeiss Batis 40mm" url="https://drive.google.com/file/d/1dppCXQZ6ShJ6rT4TVYIUGI4je1qvCpBr/view?usp=sharing"][/service]
[service title="Zeiss Batis 85mm F1.8" subtitle="RAW File download via Google Drive here" btn_text="Download here Zeiss Batis 85mm" url="https://drive.google.com/file/d/1ABa_O8WXVBbXO_rcjP_GLY9HKP41OUWj/view?usp=sharing"][/service]
PERSONAL CONCLUSION | Zeiss Batis lenses
Abschließend bin ich mehr als zufrieden mit meiner Wahl der ZEISS Batis-Objektive. Bei den Videoproduktionen auf dem Gimbal konnte ich dem reibungslosen Autofokus vertrauen. Es gibt nichts Wichtigeres, als sich während der Produktion auf die Ausrüstung verlassen zu können und so nach anstrengenden Tagen mit sehr wenig Schlaf beruhigt nach Hause zurückzukehren.
Ich verpasste kein Gelegenheiten, weil ich auf die Festbrennweite meines 25mm f/2, 40mm f/2 CF oder des 85mm/f2 Batis 'beschränkt' war. Als mein Favorit das 40mm f/2 CF Batis - ich kann nicht genug darüber sagen. Der 40mm Brennweitenbereich und die Naheinstellungsmöglichkeit machen es zu meinem Alltagsobjektiv für Reiseprojekte. Ich würde dieses Objektiv auch für Porträts, Hochzeiten und Fotoaufnahmen empfehlen; für Dokumentarfotografen, die gerne vor Ort arbeiten, flexibel bleiben und im fotojournalistischen Stil fotografieren, um ihre Motive ohne die offensichtlichere Verzerrung eines breiteren Objektivs einzufangen.
In this review about the Zeiss Batis lenses I try to report my personal experience about the Batis Lenses during real working conditions as a professional photographer and videographer. Last March I realized a shortfilm project "Moving" about Claire Lim, a local Hong Kongese. I tested the trio of ZEISS Batis lenses – a 25mm f/2, a 40mm f/2 CF, and a 85mm f/1.8. Review the versatility in the area of photography and video production capabilities. Here you can find some samples of the Batis Lenses about my documentary of Hong Kong. At the end of the article you can download RAW samples to get your own impression. (Shot with Sony A7RIII + Batis Zeiss Lenses)
INTRODUCTION | Behind the project in Hong Kong
On the way as a Travel photographer and videographer, I make every effort to pack as lightly and efficiently as possible. The key point of the weight is your photo gear. During the planing I focused around which lenses I would be taking for this short film project. I knew I would be using my workhorse camera – a Sony a7R III, but I had carefully weighed my options when it came to lens choices.
Just few month before my projects starts Zeiss released the new BATIS lenses. I knew I would be shooting in a wide range of environments and lighting conditions. Especially it was a video-project where a fixed prime lens is the first choice. You might think 40mm is a weired focal length? This lens surprised me in all the best ways. I only had 3 production days to get all the footage we needed in Hong Kong the weather can be bright and sunny while other days can be draped in rain and fog. Through the weather sealed Batis lenses I had never to worry about it. This city has many tight, narrow quarters to contend with along with distant subjects requiring longer focal length lenses.
I easely could fit the Zeiss Batis Lenses, which are typically smaller, lighter, and faster compared to zooms of comparable focal ranges into my Backpack.
WEIGHT, BUILD & LOOK | Zeiss Batis lenses – a 25mm f/2, a 40mm f/2 CF, and a 85mm f/1.8
So back to review the Zeiss Batis lenses – a 25mm f/2, a 40mm f/2 CF, and a 85mm f/1.8 are designed specifically for Sony E-mount cameras, I knew they offered speed, quick autofocus response times, and enough resolving power to satisfy the needs of my camera’s 42MP imaging sensor.
A great lens kit for my camera and perfect fit with a gimbal. Not only is it light, but the Batis series is beautifully balanced for the Sony body. I use the lens on a Sony a7 Riii, and I can hold it without any problems, shoot all day, and probably never get tired. That's a big deal when you're working all day. With a weight between 335g to 452g, my camera and all three lenses came in well under the 1,8 kg cap in my backpack. During production you have to consider holding this gear for at least 8-12 hours a day incl. All accessories like gimbal, screen, batterypacks.
The optical quality is more then sufficient for professional use cases and has their own unique look, which I really love. Here are some photos I took during these days and I hope there can give you a good impression of this lens kit.
OLED DISPLAY | Zeiss Batis lenses at night
Hong Kong is a visual paradise in many ways but it has its challenges. The visual moods and textures of the Hong Kong are mesmerizing, from Sunset on the Victoria Point to the night skylines of Hongkong Metropolis, which are visually speaking magical. Here comes the OLED Display in handy.
It’s a feature that shows the focus distance and depth of field range on the top of the lens barrel. For someone working on a tripod and shooting still subjects at night, I can see how this display could be incredibly helpful.
RAW SAMPLES DOWNLOAD | Zeiss Batis lenses
RAW Samples of ZEISS Batis lenses – a 25mm f/2, a 40mm f/2 CF, and a 85mm f/1.8 with Sony A7RIII:
[service title="Zeiss Batis 25mm F2" subtitle="RAW File download via Google Drive" btn_text="Download here Zeiss Batis 25mm" url="https://drive.google.com/file/d/1_9yUzajpEV8bU5RO0E8VC8K74qp1LVPI/view?usp=sharing"][/service]
[service title="Zeiss Batis 40mm CF F2" subtitle="RAW File download via Google Drive" btn_text="Download here Zeiss Batis 40mm" url="https://drive.google.com/file/d/1dppCXQZ6ShJ6rT4TVYIUGI4je1qvCpBr/view?usp=sharing"][/service]
[service title="Zeiss Batis 85mm F1.8" subtitle="RAW File download via Google Drive here" btn_text="Download here Zeiss Batis 85mm" url="https://drive.google.com/file/d/1ABa_O8WXVBbXO_rcjP_GLY9HKP41OUWj/view?usp=sharing"][/service]
PERSONAL CONCLUSION | Zeiss Batis lenses
Finally, I’m more then pleased with my choice of ZEISS Batis lenses. I could trust the smooth autofocus during the video productions on the gimbal. There is nothing more important than being able to rely on your equipment during the production and thus return home with a peace of mind after exhausting days with very little sleep.
I missed any opportunities due to being ‘limited’ to the fixed focal length of my 25mm f/2, 40mm f/2 CF or the 85mm/f2 Batis. As my favorite the 40mm f/2 CF Batis – I can’t say enough about it. The 40mm focal range and close focus option makes it my everyday lens for travel projects . I would also recommend this lens to portrait, wedding & documentary photographers who love to work on location, stay flexible, shoot in a photo journalistic style to capture their subjects without the more obvious distortion of a wider lens.
[:de]Sony Workshop: Präsentation über Reise- und Dokumentarfotografie[:en]Sony Workshop: Travel & Documentary Photography by Cedric Paquet[:fr]Présentation Sony : Atelier sur la photographie voyage et reportage[:]
[:de]Im Oktober hielt ich meine erste Präsentation als Reisefotograf und Videograf bei einem Sony-Workshop in Brüssel.
In der Präsentation zeigte ich den Fotobegeisterten einen Einblick in meine Arbeit: einem aktuellen Reise-Projekt über Singapur, das von dem niederländischen iFly Magazin der KLM Airline veröffentlicht wurde. Ebenso erhielten die Zuschauer einen Einblick hinter die Kulissen einer dokumentarischen Foto- und Videoproduktion in Taiwan, die mit der Sony A7RIII & Sony A7III Serie gedreht wurde.
Es war eine sehr spannende und interessante Erfahrung mit großem Austausch und tollem Feedback.
Wenn Sie sich für Reisefotografie interessieren und mehr über meine Auftragsarbeiten erfahren möchten, zögern Sie bitte nicht, mich hier zu kontaktieren.[:en]Last October I had my first presentation on travel photography and videography at a Sony workshop in Brussels.
In the presentation I showed the audience an insight into my work of recent photo travel project about Singapore, which got published in the iFly KLM Magazine. As well as a look behind the scenes of a documentary photo & video production in Taiwan, which was shot with the Sony A7RIII & Sony A7III series.
It was a very exciting and interesting experience with great feedback and exchange.
If you are interested in travel photography and want to learn more about my commissioned work, please do not hesitate to contact me here.
[:fr]En octobre, j'ai donné ma première présentation sur la photographie et la vidéographie de voyage dans le cadre d'un atelier Sony à Bruxelles.
Lors de la présentation, j'ai donné au public un aperçu de mon travail sur des projets récents de voyage photographique sur Singapour et Taïwan, ainsi qu'un regard sur les coulisses d'une production documentaire à Taïwan.
C'était une expérience très excitante et intéressante, avec de très bons retours et échanges.
Si vous êtes intéressé par la photographie de voyage et que vous souhaitez en savoir plus sur mon travail de commande, veuillez me contacter ici.[:]
Summer Holiday Guide: How to spend the best time of the year
Many years ago, I worked for my parents who own a video production company. Because it is a family business, you inevitably end up wearing many hats and being the czar of many different jobs. I mainly managed projects and worked as a video editor. On production, there were times that I was called on to work as an audio tech and was made to wear headphones on long production days. In those days, having a really good set of headphones that picked up every nuance of sound was essential to making sure the client got what they needed. Naturally, my first impression of these headphones is based off of the look of them. They have a classic over-the-ear style that is highlighted by a blue light that indicates the power for the noise canceling. The padding on the ear pieces seems adequate for extended usage periods.
They are wired headphones, but the stereo mini-plug cable is detachable. Something else I noticed right of the bat was the very nice carrying case that comes with them. It has a hard plastic exterior with a soft cloth interior that helps to protect the surface of the headphones from scratches. I never truly appreciated cases for headphones until I started carrying them from place-to-place. Now I can’t imagine not having a case. Once I gave the headphones a thorough once-over exam, I tried them on. As I mentioned, they have a classic over-the-ear style and just looking at them, the padding on the ear pieces seem adequate and the peak of the headband seemed to be a bit lacking, but you don’t really know comfort unless you try on the product. So, I slipped the headphones on and found them to be exquisitely comfortable.
If you look at what you have in life, you'll always have more. If you look at what you don't have in life, you'll never have enough.
Oprah Winfrey
Now that I had the headphones on my head, I was finally ready to plug and play some music. I plugged the provided cable into the jack on the headphones and then the one on my iPhone. Then I called up Pandora. I tend to have a very eclectic music purview and have many stations set up for different moods. the sound quality of these headphones was remarkable. There is an amazing depth of sound and incredible highs and lows that make listening to music a truly breathtaking experience. In order to test how voices sounded, and the overall art of mixing, I pulled up Netflix on my iPad Air and watched a few minutes of a movie to hear all the nuances of the film.
None of them were lost. In fact, I ended up hearing sounds that I hadn’t heard before. Echoes…birds chirping…wind blowing through trees…breathing of the characters…it was very impressive what the headphones ended up bringing out for me.
Best New Studio Headphones: the Ultimate Musician Guide
Just the other day I happened to wake up early. That is unusual for an engineering student. After a long time I could witness the sunrise. I could feel the sun rays falling on my body. Usual morning is followed by hustle to make it to college on time. This morning was just another morning yet seemed different.
Witnessing calm and quiet atmosphere, clear and fresh air seemed like a miracle to me. I wanted this time to last longer since I was not sure if I would be able to witness it again, knowing my habit of succumbing to schedule. There was this unusual serenity that comforted my mind. It dawned on me, how distant I had been from nature. Standing near the compound’s gate, feeling the moistness that the air carried, I thought about my life so far.
Your time is limited, so don't waste it living someone else's life. Don't be trapped by dogma – which is living with the results of other people's thinking.
Steve Jobs
I was good at academics, so decisions of my life had been pretty simple and straight. Being pretty confident I would make it to the best junior college of my town in the first round itself, never made me consider any other option. I loved psychology since childhood, but engineering was the safest option. Being born in a middle class family, thinking of risking your career to make it to medical field was not sane. I grew up hearing ‘Only doctor’s children can afford that field’ and finally ended up believing it. No one around me believed in taking risks. Everyone worshiped security. I grew up doing the same.
‘Being in the top will only grant you a good life’ has been the mantra of my life. But at times, I wish I was an average student. I wish decisions would have not been so straightforward. Maybe I would have played cricket- the only thing I feel passionate about. Or maybe I would have studied literature (literature drives me crazy). Isn’t that disappointing- me wishing to be bad at academics. It’s like at times I hate myself for the stuff I am good at.
When you step out of these four walls on a peaceful morning, you realize how much nature has to offer to you. Its boundless. Your thoughts, worries, deadlines won’t resonate here. Everything will flow away along with the wind. And you will realize every answer you had been looking for, was always known to you. It would mean a lot to me if you recommend this article and help me improve.
[:de]PANTONE VERÖFFENTLICHT DIE FARBE DES JAHRES 2020 [:en]PANTONE ANNOUNCED THE COLOR OF THE YEAR 2020[:fr]PANTONE A ANNONCÉ LA COULEUR DE L'ANNÉE 2020[:]
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2020: PANTONE 19-4052 Klassisch Blau
Hier ist ein Auszug aus dem Artikel: "Dieser dauerhafte blaue Farbton, der Ruhe, Vertrauen und Verbindung vermittelt, unterstreicht unseren Wunsch nach einem zuverlässigen und stabilen Fundament, auf dem wir aufbauen können, wenn wir die Schwelle in eine neue Ära überschreiten."
Mehr dazu findest du hier
Was ist die Pantone Farbe des Jahres?
Pantone's Farben des Jahres beeinflusst schon seit über 20 Jahren die Produktentwicklung und Kaufentscheidungen in verschiedenen Branchen, vorallem im Kreativen Bereich darunter Mode, Industriedesign, Reise- und Tourismus, Marketing sowie die Werbebranche.
Rückblick: Die Patone Farbe des Jahres von 2000 - 2020:
Hier könnt ihr nochmal einen Blick zurück auf die Pantone Farben der vergangenen Jahre werfen.
[:en]
2020: PANTONE 19-4052 Classic Blue
Here is an excerpt from the article: "This durable blue tone, which conveys peace, trust and connection, underlines our desire for a reliable and stable foundation on which to build as we cross the threshold into a new era." Read the full article here
What is the Pantone Color of the Year?
Pantone's Color of the Year has been influencing product development and purchasing decisions in various industries for over 20 years, especially in the creative sector including fashion, industrial design, travel and tourism, marketing and advertising.
Retrospective: The Patone Color of the Year 2000 - 2020:
Look back at the Patone colours of the past years:
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2020 : PANTONE 19-4052 Bleu classique
Voici un extrait de l'article :"Cette tonalité bleue durable, qui véhicule la paix, la confiance et le lien, souligne notre désir d'une base fiable et stable sur laquelle nous pourrons bâtir à l'aube d'une nouvelle ère. Pour en savoir plus, cliquez ici
Qu'est-ce que la couleur Pantone de l'année ?
La couleur de l'année de Pantone a influencé le développement de produits et les décisions d'achat dans diverses industries depuis plus de 20 ans, en particulier dans le secteur créatif, notamment la mode, le design industriel, les voyages et le tourisme, le marketing et la publicité.
Rétrospective: La couleur Patone de l'année 2000 - 2020:
Ici, vous pouvez jeter un coup d'œil aux couleurs Patone des années passées.
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[:de]Test: Sony FE 200 - 600 mm F5.6 - 6.3 G OSS [:en]Review: Sony FE 200 - 600 mm F5.6 - 6.3 G OSS [:fr]Révision: Sony FE 200 - 600 mm F5.6 - 6.3 G OSS [:]
[:de]In den letzten 2 Wochen war ich unterwegs, um das neue Sony FE 200 - 600 mm F5,6 - 6,3 G OSS G Objektiv für euch zu testen. Um den täglichen Gebrauch dieses Objektiv unter realen Bedingungen besser zu verstehen, habe ich mich entschieden, diese Objektiv in den folgenden Kategorien zu testen: Landschaft, Tiere, Sport & Lifestyle. Ich habe jede Kategorie mit einem Merkmal des Objektivs kombiniert, um Ihnen einen Einblick in ein breites Anwendungsbereich zu geben. Diese Zusammenfassung basiert nicht nur auf dem technischen Teil, sondern zeigt auch die vielfältigen kreativen Möglichkeiten aus dem alltäglichen professionellen Beruf. Ich habe diese Rezension in 7 Teile gegliedert. 7 Dinge, die Ihr jetzt über das Sony FE 200 - 600 mm F5.6 - 6.3 G OSS entdecken könnt. Lasst uns anfangen:
Technische Daten:
|
GEWICHT 2 115 g |
TYPE E-Mount Sony |
FORMAT 35 mm Vollformat |
BRENNWEITE (MM) 200 – 600 |
Brennweite & Kompression: Landschaft & Zeitraffer
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200-600mm ist eine fantastische Brennweite, wenn es um Zeitraffer geht. Ich benutzte Sony's internen Intervall-Timer, um einen schönen Sonnenaufgang im Hoheh Venn in Ostbelgien zu aufzunehmen. Hier der Clip:
Brennweiten Beispiel 35mm vs. 600mm:
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Autofokus(AF): Tierfotografie "Der Wolf"
Um die Autofokus-Fähigkeiten zu testen, habe ich einen Tag damit verbacht, weiße Wölfe in den Niederlanden mit den verschiedenen Fokus-Modi zu fotografieren, darunter Animal Eye AF, AF-S, AF-C. Bei den meisten Aufnahmen, lag der Fokus richtig und konnte die Tieraugen erkennen. Auch bei sehr schnellen Serienaufnahmen.
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Dank der 3 AF-Tasten (FULL |10-8|2.4-10) ist der Autofokus weitgehend punktgenau. In Kombination mit meiner Sony A7RIII ist dieses Objektiv wirklich beeindruckend. Scharf. Tolles Bokeh.
Hier habe ich einige Beispiele für die Tierfotografie:
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Bokeh & Kompression - Lifestyle:
Ein anderer Look. Normalerweise verwende ich für Portraitaufnahmen eine Brennweite zwischen 35mm und 85mm. Ich muss sagen, dass ich ein wenig skeptisch war, dieses Objektiv für ein Lifestyle-Shooting zu verwenden, aber es überrascht mich, wie Weich das Bokeh und die Kompression von 600mm mit einer Öffnung von 5,6-6,3 funktionierte.
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Videofunktionen: Sportwagen (Alle Schüsse Handheld 200-600mm) - OSS Stabilisierung
Kommt bald!
Behind-the-scenes: Sony SEL 200-600 Review shoots.
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Fazit:
Die optische Qualität in Kombination mit dem Preis von ungefähr 2000 machen dieses Objektiv außergewöhnlich (entspricht dem 600mm f4 5xfachen des Preises). Wie Sie sehen können, können Sie dieses Objektiv für ein sehr vielfältiges Einsatzgebiet verwenden. Mehr findet Sie unter: https://www.sony.be/fr/electronics/objectifs-appareil-photo/sel200600g
| Pro`s:
+ Bildqualität + Interner Zoom + Haptik, Stabilisierung, AF + Vertikal/Horizontal Schraube. |
Con's:
|
Danke fürs Lesen.
Wenn dir gefällt, was ich tue, kannst du dich unten für meinen Newsletter anmelden. Ich versuche, monatliche Inhalte zur Fotografie zu veröffentlichen.
Nochmals vielen Dank an Sony Belgien für das Vertrauen und die Zusammenarbeit.[:en]In the last 2 weeks I was on the road to test the new Sony FE 200 - 600 mm F5.6 - 6.3 G OSS for you. To get a better understanding of the daily use of this lens under real conditions, I decided to test this lens in the following categories: Landscape, Animals, Sports & Portrait. I have combined each category with a feature of this lens. To give you an insight into a wide range of applications for this lens. This review is not only based on the technical part, but also shows the wide creative possibilities and uses of the real world. I have divided this review into 7 parts. 7 things you should now know about the Sony FE 200 - 600 mm F5.6 - 6.3 G OSS. Let's start:
Technical specifications:
|
WEIGHT 2 115 g |
TYPE E-Mount Sony |
FORMAT 35 mm Full Frame |
FOCAL LENGTH (MM) 200 – 600 |
Focal Length Compression: Landscape & Timelapse
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200-600mm is a fantastic focal length when it comes to time lapse. You can often see this fantastic heat around you. Record the sunrise or sunset. I used Sony's internal interval timer to shoot a beautiful sunrise at the High Venn in Belgium. Watch it here:
Focal length sample 35mm vs. 600mm:
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Autofocus(AF): Animals
To test the autofocus capabilities, I spend a day photographing white wolves in the Netherlands with the different focus modes, including Animal Eye AF, AF-S, AF-C. Most of the shots where the focus was on the point could be seen by the animal eyes. Even with very fast action shots.
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Thanks to the 3 AF buttons (FULL |10-8|2.4-10) the autofocus is mostly on point. In combination with my Sony A7RIII this lens is a hammer. Sharp. Almost no refraction. Great bokeh. Convince yourself.
Here I have given you some examples for animal photography: My photo series photographed with the 200-600: White Wolves.
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Bokeh & Compression - Lifestyle:
Another look. Normally for portrait shoots I use a Focal Length between 35mm to 85mm. I have to say I was a little bit sceptical about using this lens for a street-fashion shoot, but it's surpised me how smooth the Bokeh and Compression of 600mm worked with an aperture 5.6-6.3.
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Video capabilities: Handheld Sports Car (All shots handheld 200-600mm ) - OSS Stabilization
COMING SOON!
Behind-the-scenes: Sony SEL 200-600 Review shoots.
Here some impression about "How I shoot the Review"
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Conclusion & Price:
The optical quality in combination with the price tag of 2000 USD make this lens outstanding (Equivalent to the 600mm f4 5xtimes the price). As you can see you can use this lens for a very diversify use-cases. For me this lens is really out of the competition at the moment.
Current price on amazon:
| Pro`s:
+ Image Quality + Internal build Zoom + Feel, Stabilization, AF + Vertical/Horizontal Button. |
Con's:
|
Thanks for reading.
If you enjoy what I do, please consider joining my newsletter below. I try put monthly stuff in there![:fr]Pendant les deux dernières semaines, j'étais sur la route pour tester le nouvel objectif Sony FE 200 - 600 mm F5.6 - 6.3 G OSS pour vous. Afin de mieux comprendre l'utilisation de cette lentille en conditions réelles, j'ai décidé de tester cette lentille dans les catégories suivantes : Paysage, Animaux, Sports & Portrait. J'ai combiné chaque catégorie avec une caractéristique de cet objectif. Pour vous donner un aperçu d'un large éventail d'applications pour cet objectif. Cette revue n'est pas seulement basée sur la partie technique, mais montre aussi les possibilités créatives et les utilisations dans le monde réel. J'ai divisé cette revue en 7 parties. 7 choses que vous devriez maintenant savoir sur le Sony FE 200 - 600 mm F5.6 - 6.3 G OSS. Commençons par le début :
Caractéristiques techniques :
| POIDS
2 115 g |
TYPE
E-Mount Sony |
FORMAT
35 mm Full Frame |
LONGUEUR FOCALE (MM)
200 – 600 |
Compression de la distance focale : Paysage & Timelapse
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200-600mm est une longueur focale fantastique quand il s'agit de laps de temps. Vous pouvez souvent voir cette chaleur fantastique autour de vous. Capturez le lever ou le coucher du soleil. J'ai utilisé la minuterie d'intervalle interne de Sony pour tourner un magnifique lever de soleil au High Venn en Belgique. Regardez-le ici :
Comparaison de longueur focale 35 mm contre 600 mm :
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Autofocus(AF) : Animaux "Le Loup"
Pour tester les capacités d'autofocus, je passe une journée à photographier des loups blancs aux Pays-Bas avec les différents modes de mise au point, dont Animal Eye AF, AF-S, AF-C. La plupart des plans où l'accent était mis sur la pointe pouvaient être vus par les yeux de l'animal. Même avec des coups d'action très rapides.
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Grâce aux 3 touches AF (FULL |10-8|2.4-10) l'autofocus est principalement sur point. En combinaison avec mon Sony A7RIII cet objectif est un marteau. Aiguisé. Presque aucune réfraction. Superbe bokeh. Laissez-vous convaincre.
Je vous ai donné ici quelques exemples pour la photographie animalière : Ma série de photos photographiées avec les 200-600 : White Wolves.
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Bokeh & Compression - Lifestyle:
Un autre regard. Normalement, pour les portraits, j'utilise une distance focale comprise entre 35mm et 85mm. Je dois dire que j'étais un peu sceptique à l'idée d'utiliser cet objectif pour un tournage de mode de rue, mais j'ai été surpris de voir à quel point le Bokeh et la compression de 600 mm fonctionnaient bien avec une ouverture 5.6-6.3.
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Video capabilities: Handheld Sports Car (All shots handheld 200-600mm ) - OSS Stabilization
COMING SOON!
Behind-the-scenes: Sony SEL 200-600 Review shoots.
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Conclusion:
La qualité optique et le prix de 2000 en font un objectif exceptionnel (équivalent au 600mm f4 5x le prix). Comment vous pouvez voir que vous pouvez utiliser cet objectif pour une utilisation très diversifiée. Pour moi, cet objectif est vraiment hors compétition en ce moment. Plus d'info: https://www.sony.be/fr/electronics/objectifs-appareil-photo/sel200600g
| Pro's :
+ Qualité d'image + Zoom interne de construction + Toucher, Stabilisation, AF + Bouton Vertical/Horizontal |
Con's :
- Pas vraiment beaucoup d'escrocs. |
Merci pour la lecture.
Si vous aimez ce que je fais, je vous invite à vous abonner à ma newsletter ci-dessous.
Merci encore à Sony Belgique pour la confiance et la collaboration.[:]
[:de]iFly Magazine: Rethinking Singapore by Cedric Paquet (July - August 2019)[:en]iFly Magazine: Rethinking Singapore by Cedric Paquet (July - August 2019)[:fr]iFly Magazine: Rethinking Singapore by Cedric Paquet (July - August 2019)[:]
[:de][lead_text]
Die futuristischen Gärten an der Bucht, traditionelle chinesische Tempel und weiße Sandstrände: Der belgische Filmemacher Cedric Paquet liebt die Vielfalt Singapurs und hat sie in seinem dynamischen Video "Singapore" festgehalten. - iFly KLM Magazine
[/lead_text]
S I N G A P O R E by Cedric Paquet from Cedric Paquet on Vimeo.
Ifly Magazine KLM: Lesen Sie den vollständigen Artikel hier
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Wenn dir gefällt, was ich tue, kannst du dich unten für meinen Newsletter anmelden.
Danke fürs vorbeischauen.
Explore more Photographs here
Freelance photographer and filmmaker for publishing houses, industry, tourism, advertising & destination photographer I make images for the travel, leisure and tourism industry. I'm based in the Belgium but work all over the world for travel companies and national & regional tourist boards. My images are natural, believable and engaging. I work solo; with a team and also experienced at working alongside video production teams. If you’d like to know more feel free to drop me a line or you can follow me on instagram @cedricpaquet
Want to know more? Don't hesitate to contact me.[:en][lead_text]
The futuristic Gardens by the Bay, the traditional Chinese temples and white sand beaches: filmmaker Cedric Paquet loves the diversity of Singapore and has captured it in his dynamic video ‘Singapore’. - iFly KLM Magazine
[/lead_text]
S I N G A P O R E by Cedric Paquet from Cedric Paquet on Vimeo.
Ifly Magazine KLM: Read the full article here
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Thanks for reading.
If you enjoy what I do, please consider joining my newsletter below. I try put monthly stuff in there that you can't find anywhere else!
Explore more Photographs here
Freelance photographer and filmmaker for publishing houses, industry, tourism, advertising & destination photographer I make images for the travel, leisure and tourism industry. I'm based in the Belgium but work all over the world for travel companies and national & regional tourist boards. My images are natural, believable and engaging. I work solo; with a team and also experienced at working alongside video production teams. If you’d like to know more feel free to drop me a line or you can follow me on instagram @cedricpaquet
Want to know more? Don't hesitate to contact me.[:fr][lead_text]
Les jardins futuristes au bord de la baie, les temples traditionnels chinois et les plages de sable blanc : le cinéaste belge Cédric Paquet aime la diversité de Singapour et l'a capturée dans sa vidéo dynamique " Singapour ". - iFly KLM Magazine
[/lead_text]
S I N G A P O R E by Cedric Paquet from Cedric Paquet on Vimeo.
Ifly Magazine KLM: L'article complet ici
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[leaflet_map center_lat="1.290270" center_lng="103.851959" controls="zoom"]
[leaflet_marker lat="1.290270" lng="103.851959"]Singapore[/leaflet_marker]
[/leaflet_map]
Merci pour la lecture.
Si vous aimez ce que je fais, je vous invite à vous abonner à ma newsletter ci-dessous. J'essaie d'y mettre des trucs mensuels qu'on ne trouve nulle part ailleurs !
Explore more Photographs here
Freelance photographer and filmmaker for publishing houses, industry, tourism, advertising & destination photographer I make images for the travel, leisure and tourism industry. I'm based in the Belgium but work all over the world for travel companies and national & regional tourist boards. My images are natural, believable and engaging. I work solo; with a team and also experienced at working alongside video production teams. If you’d like to know more feel free to drop me a line or you can follow me on instagram @cedricpaquet
Want to know more? Don't hesitate to contact me.[:]
